
The tech frame evolved when Roger Bishop gave in to the ham that’s in all of us and gave the camera a wave. Being a guy with a true sense of lighting and composition, I’m sure that he couldn’t resist stepping out into the near-perfect lighting of one of the early flights of that day.
Watching Day 2 Happen
Shooting B-Roll With Don
Acro Camp Cameos
Yet Another Cataloging Session
Cataloging, Taking Notes, and Jim’s G-Face



Michelle Kole’s Epic Spin
Here’s a sample of some of the great footage that we captured with one of the outboard cameras. This is a GoPro HD Hero mounted on the right wing strut of the Super-D and pointed more or less straight at Michelle.
Michelle pulled off a great seven- or eight-turn spin. Nice and stable (you can watch where the horizon intersects the frame). This angle gives a real sense of the world rotating.
The Tech Frame
Going through all of this footage, one of the things that strikes me is an element that you probably won’t see in the film. It’s the first frame of most of the sequences shot by the airborne cameras. It’s almost invariably one of the crew staring into the camera at the moment he pushes the button to start up the camera. It could be me. Or Roger Bishop. Or Will Hawkins. Or David Allen. Or even one of the Acro Camp IPs.

























